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LYNNE BRADLEY
has worked as a director, choreographer, performer and actor-trainer in Brisbane and abroad for
the past 20 years. In 1992 she founded Zen Zen Zo Physical Theatre with Simon
Woods, and has spent the past 15 years building Zen Zen Zo into an
internationally renowned performance and training centre.
As a director,
choreographer and performer, Lynne has worked on most of the company’s
productions, including:
Director: Sub-Con Warrior 1, Wicked Bodies (co-production with La Boite Theatre 04), Unleashed (96 & Adelaide Fringe
00), Steel Flesh (Brisbane Festival
98), Butoh: The Way of Mud (93), Never the Elephant (93), Wicked Bodies (Rehearsed Reading:
Magdalena Festival 03). Her other directorial credits include: QPAC/ZZZ: The Mayne Inheritance (03); Vegas Nerve: Cooking Up A Princess
(01); TAFE: The Bacchae (00), Outcasts (00); UQ: Ubu Rex (98), Ghost
Paths (97), Manfred (96); La Boite: Black Chicks Talking (Assistant
Director 02).
Movement Director: The Odyssey (04), The Man
Who Sold the World (Brisbane Festival 00), Oedipus (00), Macbeth: As
Told by the Weird Sisters (98, 99, Singapore Youth Festival 02), Visions of Macbeth (98-00), The Marriage of Figaro (Stage X
Festival 97), The Cult of Dionysus
(Japan 94, Brisbane Festival 96),
Galileo (93), and most recently Those
with Lucifer (Guest choreographer 05). Other choreography includes:
Fractal: The Oresteia (93); La
Boite: A Paper House (01). Lynne has
received awards for her choreography of both Macbeth: As Told by the Weird Sisters and Unleashed. Lynne also recieved a Del Arte Award for best director
for Sub Con Warrior 1.
Training and Teaching: Lynne is also a principal instructor specializing in
movement and physical theatre, and has founded a number of Zen Zen Zo’s flagship
training programs, including Stomping
Ground and the Company Internship.
Her training includes the Suzuki Method, Noh, Nihon Buyo and Butoh, which she
studied intensively whilst living in Japan from 1989-1995, and again in 1999
(whilst on a Fellowship from the Brisbane City Council). Her Butoh teachers
included founder Kazuo Ohno, Katsura Kan (Byakko-sha), Iwashita Toru (Sankai
Juku), and Maro Akaji (Dairakudakan). In 1998 she received an Arts QLD
professional development grant to study Viewpoints with Anne Bogart and the
SITI company in New York, and she and Simon Woods subsequently became the first
teachers of this actor training method in Australia. In 2007, Lynne received a grant to travel to
Japan nd study and perform with one the world’s largest and oldest Butoh
companies, Dairakudakan. She is also a qualified teacher of Ashtanga Yoga (1st
series). Lynne is currently completing her PhD in the area of Australian
Physical Theatre, and lecturers regularly in Australian universities.
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